WARNING: If you adored Winnie the Pooh as a child, you might want to stop reading now…
A new film featuring the beloved A.A Milne children’s character has been released in cinemas, but this is no innocent tale. With Pooh now in the public domain, the film’s director, Rhys Frake-Waterfield, has reimagined the character in an adult horror storyline. There’s some more details into the plot here but be warned, this is definitely not for the faint hearted!
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Using pre-school children’s characters in content designed for teenagers and adults is nothing new though. In the early days of YouTube, there was the YTP trend in which creators took popular cartoons and remixed those so the characters would mention rude words. There was also that Shed 17 parody of Thomas the Tank Engine which gave the engines a horrific backstory of which I won’t go into too much detail (trust me, I repeat it is definitely not for the faint hearted!). Even TV shows genuinely designed for children can have dark themes which younger viewers often find too scary for them.
While it is clear that there is a market for content depicting children’s cartoon characters in adult scenarios, it does raise the question as to whether encouraging this practice is morally right in the first place. Of course there is the risk that children might stumble across this content believing that it is genuinely the same cartoon, but it also shows how an increasing subset of people are less willing to grow up from their childhood. Whether that’s a good or bad thing is up for debate, but I can certainly raise a bet that a significant proportion of the creators and audience of this movie have Peter Pan Syndrome. Speaking of Peter Pan, he appears to be the next character up for this treatment…
Is anyone on here actually intending to watch this Winnie the Pooh horror movie?
A new film featuring the beloved A.A Milne children’s character has been released in cinemas, but this is no innocent tale. With Pooh now in the public domain, the film’s director, Rhys Frake-Waterfield, has reimagined the character in an adult horror storyline. There’s some more details into the plot here but be warned, this is definitely not for the faint hearted!

How the Winnie-the-Pooh: Blood and Honey Horror Movie Even Exists
Director Rhys Frake-Waterfield takes us inside how he came up with (and got away with) Winnie-the-Pooh: Blood and Honey. He also hints at where he wants to take Pooh Bear and other beloved characters next...

“I loved Winnie the Pooh as a kid!” exclaims Rhys Frake-Waterfield. “I think everybody does.” Indeed, most people would agree with that statement about the guileless toy bear who embarked on imaginary adventures with his fellow plush animals and human pal Christopher Robin.
But then again, not everybody is making their feature film debut with Winnie-the-Pooh: Blood and Honey. The movie stars Craig David Dowsett and Chris Cordell as Pooh and Piglet, who are now all grown up and bent on revenge against Christopher Robin (Nikolai Leon) after he left them to starve in the Hundred Acre Wood. Fueled with a hatred of all things human, the duo go on a murder spree that terrorizes a group of teens (played by Maria Taylor, Natasha Rose Mills, Amber Doig-Thorne, among others) who foolishly decide to party and the Wood.
Using pre-school children’s characters in content designed for teenagers and adults is nothing new though. In the early days of YouTube, there was the YTP trend in which creators took popular cartoons and remixed those so the characters would mention rude words. There was also that Shed 17 parody of Thomas the Tank Engine which gave the engines a horrific backstory of which I won’t go into too much detail (trust me, I repeat it is definitely not for the faint hearted!). Even TV shows genuinely designed for children can have dark themes which younger viewers often find too scary for them.
While it is clear that there is a market for content depicting children’s cartoon characters in adult scenarios, it does raise the question as to whether encouraging this practice is morally right in the first place. Of course there is the risk that children might stumble across this content believing that it is genuinely the same cartoon, but it also shows how an increasing subset of people are less willing to grow up from their childhood. Whether that’s a good or bad thing is up for debate, but I can certainly raise a bet that a significant proportion of the creators and audience of this movie have Peter Pan Syndrome. Speaking of Peter Pan, he appears to be the next character up for this treatment…
But why stop there? The director already plans to take in “all the feedback and critique” to make his next movies even more effective. In fact, he’s already announced movies about Bambi and Peter Pan.
Is anyone on here actually intending to watch this Winnie the Pooh horror movie?