LOL The Irony
On Moderation
All Nippon Airways - Departure Good Luck
Yuji Ohno - Theme From Lupin III 89 Version
Yuji Ohno - Theme From Lupin III 89 Version
All Nippon Airways - Departure Good Luck
Yuji Ohno - Theme From Lupin III 89 Version
Interesting. I’ll give that a listen at some point.Gorillaz released a new album yesterday, Strange Timez.
It's decent: a step up from their last effort, although Demon Days is still obviously the pinnacle. The guitars are back, which is a very welcome development.
The new album features collaborations with Beck, Elton John, Kano, Robert Smith and Peter Hook. Standout cuts include Momentary Bliss, Friday 13th and Aries. The songs are easy to like, but feel somewhat flat; the Song Machine project this album is part of clearly isn't as innovative or ambitious as Damon Albarn thinks it is. His lyrics have continued their trend towards focusing on interpersonal relationships, which is all well and good but makes a lot of these songs slightly samey in terms of lyrical content.
The visual side of Gorillaz still doesn't match up with the music. Jamie Hewlett certainly does not stint when it comes to the artwork - he clearly enjoys drawing the fictional bandmates, especially a now grown-up Noodle - but the overall vision behind the first two albums has seemingly been discarded outright - and with it has gone a large part of what made Gorillaz special, vibrant and appealing.
The characters used to be well-rounded, cerebral mechanisms for communicating social commentary and their creators' thoughts; now they're just cartoon characters, or window dressing. The interviews they do are banal and glib; overall, it feels as though Gorillaz no longer care about the idea of a band who just-happened-to-be-cartoons, and are just outright treating them like a separate entity. They've dropped the suspension of disbelief. It feels inevitable - a kind of dumbing-down - and yet it's still disappointing.
Overall, Strange Timez is probably on a par with, or slightly weaker than, Plastic Beach. It's got some good tracks, but nothing with the zing of Feel Good Inc., the bite of Kids with Guns, or the pathos of El Mañana or the self-titled album closer. Perhaps the really impressive thing is that they're still going, 15 years after their brief mainstream breakthrough.
NiceInteresting. I’ll give that a listen at some point.
It is a great album. Probably time to have a bit of this then:NiceIt's not bad by any means. There's a lot of songs - 17 on the deluxe edition. I'd say it's their most 'listenable' album.
If you're new to Gorillaz, then I'd recommend listening to Demon Days, their second album. You might want to commit to giving it a couple of full listens - it's madcap and genre-varied, spanning dub, hip-hop, alt rock, piano pop...but with more orchestral elements. It's aged like wine in terms of its lyrical content.
It's an album I could gush about for hours. A masterpiece, I think. I could write an essay about it.
Yes, iconic tune! I adore this one. Such a unique track. "You've got to press it on you..."It is a great album. Probably time to have a bit of this then:
Me too!Yes, iconic tune! I adore this one. Such a unique track. "You've got to press it on you..."
Time for me to go and dance around my bedroom like I'm a 15 year-old Japanese girl.
It's lockdown, nobody will mind.Me too!
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Top tuuuuuuune! Not heard that in years.Going back to Peter Hook, this morning I be mostly listening to New Order.