Fearless
Member
Scottish smallpipes for me. A marvellous moment was being the Lone Piper at a war memorial, piping a lament while a large crowd stood in front of me in perfect respectful silence. Music united us.
There's a huge difference between a trumpet and a euphonium! Having said that, technically the valve combinations should be the same. Being a trombone player, valves was never something I had to deal with (until bass trombone - meh), although I did try to learn. I was elated one day when my band conductor asked me if I could play in a brass band contest (I'd always been a reservist), but my heart sank when he advised I'd be playing tenor horn...My father played the trumpet/euphonium as a youngster, as well as the piano and organ. But I funnelled my musicality into school choirs instead.
I must admit these quotes did make smile a bit. 'Slow' progress? I'm multi-instrumental and it took me years on each one (albeit most of those concurrently) to teach myself to play at a level that I'd consider even remotely proficient. For me 'proficient' means being able to pick up / sit at an instrument and start playing without really thinking about it. When I got to that point on guitar, bass guitar and piano/keyboards, I knew life was good...I always knew a lot of work went into it but considering the level I am at after around 20 hours of practice could only be described as "can't play the piano at all" my eyes have been opened a bit as to just how many hours go into being even being on the low end of competent at this sort of thing.
Despite the slow progress...
Any tips on getting back into playing the piano after so long please?
Thanks for the reply. Indeed I am impatient! But I feel it is a sort of measured impatience that I know is unrealistic. Just because I am aware I should expect it to take years to play well doesn't mean that I am going to be happy that I can't play well yet - but I still look forward to that day excitedly!I must admit these quotes did make smile a bit. 'Slow' progress? I'm multi-instrumental and it took me years on each one (albeit most of those concurrently) to teach myself to play at a level that I'd consider even remotely proficient. For me 'proficient' means being able to pick up / sit at an instrument and start playing without really thinking about it. When I got to that point on guitar, bass guitar and piano/keyboards, I knew life was good...![]()
I bought Bert Weedon's 'Play Guitar in a Day' around 1962, and still haven't mastered it.![]()
Thanks for the reply. Indeed I am impatient! But I feel it is a sort of measured impatience that I know is unrealistic. Just because I am aware I should expect it to take years to play well doesn't mean that I am going to be happy that I can't play well yet - but I still look forward to that day excitedly!
Thanks for the reply. Indeed I am impatient! But I feel it is a sort of measured impatience that I know is unrealistic. Just because I am aware I should expect it to take years to play well doesn't mean that I am going to be happy that I can't play well yet - but I still look forward to that day excitedly!
If you feel the passion, you'll get thereThat's exactly the same as me. Even though I know that it takes time to learn an instrument I still want to be able to play like a pro now and it takes a lot to stop myself feeling disappointed when I can't
It's just possible it's in my attic, but I probably couldn't locate it even if I knew it contained a million pound winning lottery ticket!What have you done with it?![]()
I think that people do tribute bands as they want to either pay tribute or profit off the other band's success.It's also a whole lot more satisfying than just parrotting what already exists. Personally I have never understood the whole covers/tribute band thing, but each to their own.
I think that people do tribute bands as they want to either pay tribute or profit off the other band's success.
If you feel the passion, you'll get there
Two more pieces of advice - (1) don't worry too much about reading music at the start (learning how to really listen by playing by ear at first is extremely useful - music is, after all, about sound, not sight) and (2) start jotting down and playing around with your own tunes. That's a great way to learn about melody, harmony, chords, scales and so on. It's also a whole lot more satisfying than just parrotting what already exists. Personally I have never understood the whole covers/tribute band thing, but each to their own.
As you probably realise, this is a subject I am still incredibly passionate about, even after all these years![]()