The very best CEPs were the original batch with timber panelling ie before the British Transport Design Panel had a go at them. I believe the original mark 1 interiors were by Sir Hugh Casson who ran a perfectly reputable architectural firm.CEPs were the nicest of the EMUs to drive for me, and as a passenger too. Not too keen on the VEPs but the CIGs were nice.
RAGNARØKR;1307980 said:The very best CEPs were the original batch with timber panelling ie before the British Transport Design Panel had a go at them. I believe the original mark 1 interiors were by Sir Hugh Casson who ran a perfectly reputable architectural firm.
The prototype CEPs were not really dated when they were built or for the couple of decades after, any more than identical original standard steam stock was. The production CEPs had laminate panelling and introduced different moquettes with a more contrasty pattern. The original mark 1 standard represented an example of the best of interior design of its period. The influence of the designers involved in the Design and Industry Association, predecessors of the Design Council, could clearly be seen. Functionality was key, with no concessions or compromises being made to the requirements of marketing departments which these days so often destroy the quality of the design concept.From pictures, the original interiors looked a bit dated compared to the production series which seem bright and modern, yet (judging by the Hastings and Phase 1CIG unit seating) still very comfortable.
2-BILs and 2-NOLs would have been the staple for services there at that time, If I remember correctly they would run down as far as Ascot as a 4 car service then split. One half would go to Reading the other to Guildford via Aldershot.
RAGNARØKR;1309010 said:The prototype CEPs were not really dated when they were built or for the couple of decades after, any more than identical original standard steam stock was. The production CEPs had laminate panelling and introduced different moquettes with a more contrasty pattern. The original mark 1 standard represented an example of the best of interior design of its period. The influence of the designers involved in the Design and Industry Association, predecessors of the Design Council, could clearly be seen. Functionality was key, with no concessions or compromises being made to the requirements of marketing departments which these days so often destroy the quality of the design concept.